Expo: Stevie Dix – Désert

Quand :
12 avril 2018 @ 17 h 01 min – 12 mai 2018 @ 17 h 00 min
2018-04-12T17:01:00+02:00
2018-05-12T17:00:00+02:00
Où :
Nevven Gallery (Göteborg)
BANGATAN 10 414 63 GÖTEBORG SWEDEN

 

DÉSERT

A solo show by STEVIE DIX

OPENING: THURSDAY APRIL 12, 2018. TIME 17:00-20:00
EXHIBITION PERIOD: APRIL 12 – MAY 12

EXTRA EVENT: 
STEVIE DIX – ARTIST-TALK AT GÖTEBORGS STADSBIBLIOTEKET

TUESDAY, APRIL 10, 2018. TIME 18:00-19:30.

“I love the way [oil paint] moves, smells, looks.
I never actually mix impasto or anything with my paint. I joke and say it’s blasphemy.
My work is built up of pure, out of the tube, oils.”

Stevie Dix

Stevie Dix is part of a new generation of uprising young artists whose work is driven by a renewed interest in challenging painting’s traditional expressive possibilities. The astounding quality of this UK based Belgian artist’s production is also an important reminder of how regrettable the absence of a female perspective upon this field has been until now. With her personal, spontaneous yet extremely aware approach to oil painting, she embraces the qualities of this traditional medium while bending it into a language of her own.

Dix’s paintings are deeply gestural, informal, thick and dirty. The energy of the paint strokes still vibrates in the materic texture of the canvas. In this almost sculptural approach to painting, that is wild and controlled at once, we can sense the profound attraction and relation she has with the material she is working with. It is hard to stop looking at this moving surface breaking through the flatness of the canvas.

Figuration and abstraction come together in a sometimes harmonic, sometimes brutal juxtaposition which characterises Dix’s production. A boot, a vase, a bird or some brushes materialise from the still consistently abstract surface. These everyday objects are giving us recognisable glimpses of the personal and intimate universe inhabiting her works while the Belgian artist’s sense of composition creates a tension in the balance of the paintings which reflects their emotional charge and makes them reverberate with that same turmoil.

Dix’s faculty to personally and consciously appropriate the language of oil painting and her ability to intimately communicate through its thick materic surface are fully demonstrated in Désert. A new series of oils on canvas, appositely painted for this exhibition, develops in a more experimental and unrestrained way her recent American works. With Désert, Stevie Dix is bringing us inside her personal universe and into a painting practice which fuses together emotions and materials in a unique physical concurrence.